Mass in G major, K. 49
- two violins
- viola
- continuo
Mozart's Mass in G major, K. 49/47d), is his first full mass. It is a missa brevis scored for SATB soloists and choir, violin I and II, viola, and basso continuo.
Mozart wrote the Mass in G major at the age of 12. It was however neither his first setting of a part of the mass ordinary – two years earlier he had already composed a Kyrie (K. 33) —, nor was it his largest composition with a religious theme up to date: his sacred musical play Die Schuldigkeit des ersten Gebots had been premiered in the previous year.
History
Composed in Vienna in the autumn of 1768,[1] this mass is Mozart's only missa brevis to feature a viola part.[2] It is not clear what occasion it was composed for, and it has been confused with the Waisenhausmesse, composed in the same year.[3]
Religious music at the time was increasingly influenced by opera and Baroque embellishments in instrumentation; Mozart's early masses, such as K. 49/47d, have been seen as a return to the more austere settings of the pre-Baroque era.[4]
Movements
The six movements of the mass follow the traditional Order of Mass:
- Kyrie Adagio, G major,
- "Kyrie eleison" Andante, G major, 3
4
- "Kyrie eleison" Andante, G major, 3
- Gloria Allegro, G major,
- Credo Allegro, G major, 3
4- "Et incarnatus est" Poco adagio, C major,
- "Et resurrexit" Allegro – Adagio – Allegro, G major,
- "Et in Spiritum Sanctum" Andante, C major, 3
4; bass solo - "Et in unam sanctam" Allegro – Adagio – Allegro – Adagio, G major, and 3
4 - "Et vitam venturi" Allegro, G major,
- "Et incarnatus est" Poco adagio, C major,
- Sanctus Andante, G major, 3
4- "Pleni sunt coeli et terra" Allegro, G major, 3
4 - "Hosanna in excelsis" Allegro, G major, 4
2
- "Pleni sunt coeli et terra" Allegro, G major, 3
- Benedictus Andante, C major, 3
4; soloist quartet- "Hosanna in excelsis" Allegro, G major, 4
2
- "Hosanna in excelsis" Allegro, G major, 4
- Agnus Dei Adagio, E minor,
- "Dona nobis pacem" Allegro, G major, 3
8
- "Dona nobis pacem" Allegro, G major, 3
Recordings
1988: Edith Mathis (soprano), Rosemarie Lang (contralto), Uwe Heilmann (tenor), Jan-Hendrik Rootering (bass) — Rundfunkchor Leipzig, Leipzig Radio Symphony Orchestra, Herbert Kegel — Philips Classics Records (later reissued in 1991 as part of The Complete Mozart Edition, Volume 19 "Missae and Requiem").
References
- ^ Einstein, Alfred (1945). Mozart: His Character, His Work. p. 326. ISBN 978-0-19-500732-9. Archived from the original on 27 March 2017.
- ^ Eisen, Cliff; Keefe, Simon, eds. (2006). The Cambridge Mozart Encyclopedia. p. 272. ISBN 978-1-139-44878-9. Archived from the original on 18 August 2020.
- ^ Melograni, Piero (2007). Wolfgang Amadeus Mozart: A Biography. p. 27. ISBN 978-0-226-51956-2. Archived from the original on 18 July 2018.
- ^ Maragh-Ablinger, Renate. Wolfgang Amade Mozart. p. 51. Archived from the original on 24 July 2017. Retrieved 22 September 2016.
External links
- Missa brevis in G K. 49 (47d): Score in the Neue Mozart-Ausgabe
- Free scores of Missa Brevis No. 1 in the Choral Public Domain Library (ChoralWiki)
- Missa Brevis No. 1: Scores at the International Music Score Library Project
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